Customer language is the briefCloud · IoT · Accessibility · Consumer intelligenceNew York City metropolitan areaMore than two decades in go-to-market

Person / Marketing / Consumer intelligence

Donna Perlstein Wants Marketing to Hear the Product, Not Just Applaud the Ad

After more than two decades in go-to-market work, Donna Perlstein has learned to distrust applause without understanding. Her answer is simple to say and difficult to practice: let the customer write the brief.

The ad was the sort of thing marketing people enjoy remembering. It had a whimsical, complicated story. The creative team admired it. The audience did too. People talked about the characters; somebody made a meme. By the flattering standards of the conference-room recap, the campaign had acquired cultural life. The product, unfortunately, had not acquired customers.

Donna Perlstein was early in her career when a colleague launched that hair-removal product. Months passed without traction. When the team finally studied the conversation around the campaign, the embarrassment became precise: viewers liked the ads but did not understand what the product did, how it worked, or why they should care. The story had become the star. The thing for sale was a bewildered extra.

For Perlstein, now VP of Marketing at the consumer-intelligence company Revuze, the episode became more useful than an easy success might have been. It supplied a principle sturdy enough to survive a career across cloud disaster recovery, connected buildings, digital accessibility and artificial intelligence. Before a marketer decides what to say, she should learn what the customer is already saying. The order matters.

The most important voice in any marketing campaign is the customer's.Donna Perlstein
Lesson one

A customer is not an audience with better manners

The usual marketing temptation is to treat research as a supporting actor. The idea arrives first; data is summoned later, dressed for court, and asked to confirm that the idea was brilliant. Perlstein’s account reverses the casting. Customer language supplies what she calls the “ultimate brief”: the problem to solve, the words people naturally use and the places where their attention already lives.

This does not make the creative work dull. It makes it answerable. A campaign can still be funny, strange or beautiful, but it has to carry the product with it. Otherwise the marketer has commissioned an expensive anecdote. The distinction is comic until a quarterly review arrives.

Donna Perlstein in a Revuze contributor portrait
Perlstein lists writing alongside traveling, dancing and hiking - useful pursuits for anyone paid to notice rhythm.

Her own path suggests an appetite for translation. Public records place her at CloudEndure, where disaster-recovery software promised continuity when infrastructure failed. She then became VP of Marketing at Axonize, a no-code Internet of Things platform concerned with buildings, devices and streams of operational data. By 2023 she was VP of Marketing at UserWay, whose software addressed digital accessibility. In early 2024 she joined Revuze. Four technical worlds, four vocabularies, one recurring assignment: turn capability into a reason to act.

When Perlstein introduced herself at an industry research event two months into the Revuze job, she counted more than 17 years in go-to-market strategy, demand generation, branding, product marketing and content. Her LinkedIn profile now describes more than 20. The arithmetic is less revealing than the range: B2B and B2C companies, American and international markets, products that require explanation before they can earn affection.

Where the clue lives

The small complaint with a large consequence

Perlstein’s best examples are satisfyingly domestic. A home-cleaning brand noticed that sales of a citrus-scented product were falling. The useful discovery was not an abstract dip in “brand love.” Consumers found the smell overpowering, even industrial. An adjective contained a formulation problem. Once the company compared sentiment around scent with competing products, the route back to the drawing board became visible.

Her stroller analysis follows the same trail at wheel level. Low ratings were connected to poor grip, sticking front wheels, trouble steering over bumps and replacement parts that were hard to find. None of this sounds like a keynote theme. All of it matters to the parent pushing the stroller. Granularity is where a customer’s day meets a product manager’s roadmap.

This is why Perlstein resists treating voice-of-customer work as a research department’s quarterly ceremony. Marketing needs the language for positioning. E-commerce needs it for product-detail pages. Product teams need it for prioritization. Innovation teams need it to distinguish a recurring desire from a passing novelty. Customers do not experience those departments. They encounter one brand and, on a bad day, one stubborn wheel.

The scale of the listening problem has become enormous. Revuze says its platform processes more than 2.2 billion consumer signals from over 600 sources, across more than 2,000 categories and 100 million products. Those are company figures, but they illustrate the practical bind. Nobody can read everything. Yet the answer cannot be to read nothing more attentively.

2.2B+consumer signals
600+data sources
2,000+categories

Platform scale reported by Revuze in June 2026.

The AI turn

Answers got faster. Evidence became the scarce part.

Generative AI changes the mechanics but not Perlstein’s standard. Her recent writing argues that a model is only as useful as the reality beneath it. An agent operating on old, isolated or dubious material can produce polished error at industrial speed. Data freshness, accuracy and the ability to compare signals across sources become the advantage. The interface may sparkle; the foundation still has to know which complaint happened yesterday.

She has adopted “signal seeker” as a name for the changing analyst. The old archetype mastered dashboards, query languages and monthly decks. The newer one also needs question quality, source skepticism and pattern recognition. The point is not merely to retrieve a finding. It is to decide whether the finding is real, whether it connects to another channel and whether anybody should change a business decision because of it.

Data is the first step in creating a campaign because it provides the ultimate brief.Donna Perlstein

There is a pleasing austerity to that position. In an industry fond of declaring each new tool revolutionary, Perlstein keeps returning to inputs. She asks whether a campaign landed, whether an influencer stayed on message, whether the product language matches the phrases customers use, whether a trend is supported by more than one stream of chatter. She is not against creative ambition. She simply wants it to have witnesses.

Her public writing itself behaves this way. Rather than floating at the altitude of “customer centricity,” it drops into nail products used instead of salon visits, fragrance words on a product page, the sentiment around the color of an item, a cleaner that smells too severe. The detail keeps the argument honest. Strategy is often a small noun rescued from a very large spreadsheet.

The operator behind the argument

Writing, dancing and the discipline of rhythm

Perlstein’s professional profile is fuller than her public biography. She graduated with honors from Bar-Ilan University, where her listed activities included volunteer work with children and young people. She is bilingual in English and Hebrew. Colleagues who have recommended her describe someone focused and adaptable, willing to help, attentive to value and capable of meeting difficult situations with warmth. These are testimonials, not x-rays, but their consistency is notable.

Her self-listed interests are traveling, dancing, writing and hiking. It is tempting to turn that quartet into a grand theory, so let us resist by only an inch. They are all exercises in pace and attention. A trail punishes distraction. Dancing makes timing visible. Travel changes the meaning of familiar signals. Writing is the patient art of removing every word that is applauding itself.

There is another telling connection in her professional record. Looking back at CloudEndure, Perlstein credited the marketing leader Ramel Levin with teaching her on both strategic and personal levels. She singled out his composure, technical fluency, forward thinking and contagious enthusiasm. The recommendation reveals a marketer willing to name her teachers, a minor act of generosity in a culture that prefers careers to look self-invented. It also clarifies the lineage of her own approach. Technical products demand more than fluent promotion. The marketer must stay composed around complexity, preserve curiosity long enough to understand it and then build a system that can scale. Years later, colleagues described Perlstein in much the same register: adaptable, focused, helpful and ready to tackle a problem with a warm smile. Careers often pass lessons forward before anyone notices the rhyme.

The public career is not a founder myth and does not need to be dressed as one. It is an operator’s progression through technologies that defined successive enterprise conversations. At each stop, Perlstein learned a new product well enough to build a market around its meaning. At Revuze, the product and her philosophy neatly coincide: software for listening, marketed by someone who once saw exactly what happened when a team listened too late.

The old campaign story survives because it has an uncomfortable ending for anyone who makes things. Admiration can be sincere and still irrelevant. The creative can travel farther than the reason it was made. The useful response is neither to worship data nor to exile imagination. It is to put them in the right order. First, hear the customer clearly. Then make something worth repeating - with the product still inside the sentence.