The Los Angeles studio built its reputation by making brands unmistakable. Its more interesting habit is deciding, before a single logo moves, whether design is the problem at all.
Visible Design spent three decades doing something unfashionably useful: following a company’s message wherever it needed to go - from a logo to a trade-show wall to a technical diagram.
Halli Thorleifsson built a design agency for the companies on your home screen, sold it, and started again. The second Ueno is betting on fewer clients - and a very human reason to make things.
A search bar enters the Upside Down. A security company learns to loosen its tie. Inside the Oakland studio that designs what brands do, as well as how they look.
A PDF template, a fountain-pen website, a room full of animated artwork. The Querétaro studio’s work asks a practical question: what happens when a brand has to do something?
Inside the early portfolio of a Washington-area design studio that put corporate software, music branding, and hand-painted experiments on the same workbench.
A museum has six entrances. A transit agency has a growing cast of communicators. BLOSS builds the graphics, stories and systems that help people find their way in.
A 1925 letterhead, a Hollywood agency’s orange, a restaurant meal packed for the journey home: YYES finds new uses for familiar things. Inside the design studio that asks what a business should carry forward.
Before the new colors came the awkward questions. Inside the California studio turning company identities into systems people can actually use - and sometimes unwrap.
A neuroscience textbook, a brewery’s restless patterns and 50 websites for Figma reveal how the San Francisco design studio turns technical ideas into things people can actually use.
From Coinbase to Dallas soccer, the San Francisco identity studio builds the rules behind a recognizable brand. Its most revealing work begins where the logo presentation usually ends.
The digital studio pairs brand and interface design with a promise of client independence. Its most interesting deliverable may be what happens after the handoff.
Amber Asay built a design studio around the people she wanted to work with. Its portfolio, from Poosh to survivor-made gifts, shows how a friendly brief can produce work with teeth.