film-and-television
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Wrapbook and the Case of the Vanishing Paperwork
Hollywood knows how to make a person disappear on screen. Wrapbook is tackling a less glamorous trick: making the same crew member’s paperwork stop reappearing on every shoot.
The Agent Who Bet on Growing Up Slowly
Cindy Osbrink built a talent agency around an unfashionable advantage: patience. Three decades later, its youngest clients can move from print to television, voiceover and the creator economy without changing the people in their corner.
ROAR Learned That a Manager’s Best Product Isn’t Fame - It’s Optionality
The Beverly Hills management company built a wider job than representation: connect the artist, the idea, the money and the audience - then keep a hand in what gets created.
Shelter PR knows the star is only half the story
A celebrity has a career to protect. A film, a cause or a beer brand has something to launch. Shelter Public Relations works where those stories meet.
Impact24 PR wants you to remember the names in the credits
The Los Angeles agency turns the work of composers, editors and designers into stories people can repeat. Its business begins where the spotlight usually stops.
KSP Entertainment puts casting and catering on the same call sheet
The Los Angeles entertainment company advertised a strikingly broad brief: find the talent, support the production, and help get it noticed. Its service list offers a useful way to think about the work between the spotlight and the schedule.
JPA. Wants a Bigger Say in Who Gets the Part
Jennifer Peralta-Ajemian built her business by looking beyond the usual faces. Now JPA. is taking that casting-room perspective into story development, brand strategy and creative technology.
William Hays Makes the Back Office Worth Watching
He helped compress AllianceBernstein into two letters. Now GreenSlate's chief marketing officer is giving payroll, timecards and production accounting something they rarely receive: a clear plot.
The Talent Agency That Turned a Rolodex Into a Global Operating System
WME sells no tickets, streams no shows and prints no books of its own. Its product is leverage - the relationships, market intelligence and dealmaking machinery that turn talent into durable businesses.
The Company That Turned the Casting Couch Into a Login
How a Los Angeles software company bought up the casting industry's scattered platforms - Casting Networks, Spotlight, Cast It - and turned auditioning into a single global login.