Hollywood knows how to make a person disappear on screen. Wrapbook is tackling a less glamorous trick: making the same crew member’s paperwork stop reappearing on every shoot.
Cindy Osbrink built a talent agency around an unfashionable advantage: patience. Three decades later, its youngest clients can move from print to television, voiceover and the creator economy without changing the people in their corner.
The Beverly Hills management company built a wider job than representation: connect the artist, the idea, the money and the audience - then keep a hand in what gets created.
A celebrity has a career to protect. A film, a cause or a beer brand has something to launch. Shelter Public Relations works where those stories meet.
The Los Angeles agency turns the work of composers, editors and designers into stories people can repeat. Its business begins where the spotlight usually stops.
The Los Angeles entertainment company advertised a strikingly broad brief: find the talent, support the production, and help get it noticed. Its service list offers a useful way to think about the work between the spotlight and the schedule.
Jennifer Peralta-Ajemian built her business by looking beyond the usual faces. Now JPA. is taking that casting-room perspective into story development, brand strategy and creative technology.
WME sells no tickets, streams no shows and prints no books of its own. Its product is leverage - the relationships, market intelligence and dealmaking machinery that turn talent into durable businesses.
How a Los Angeles software company bought up the casting industry's scattered platforms - Casting Networks, Spotlight, Cast It - and turned auditioning into a single global login.