film-publicity
(13)
Leslee Dart and the business that followed her out the door
After 23 years at PMK, Leslee Dart was fired. The relationships she took with her became the foundation of 42West, and a revealing study in who really owns a publicity business.
Tom Cunha and the audience before the audience
Before a film has an opening weekend, it has a conversation. Brigade co-founder Tom Cunha has built a career in the space between a story and the people who might make it their own.
Brigade and the Question That Sold the Movie
A New York agency found its edge by treating publicity, social, creative, and media as one continuous conversation - then letting audiences finish the sentence.
The Publicists Who Read the Lyrics
Big Picture Media built an entertainment PR firm around a small but unfashionable idea: before you ask the press to care, find the part of the story that is actually worth caring about.
EPIC's Odd Advantage: The Handshake Before the Megaphone
Most agencies sell a specialty. EPIC sells coordination - the unfashionable work of getting message, media, donors, developers and deadlines to behave like one team.
The Small Agency That Knows Where the Monsters Are Hiding
KATRINA WAN PR built a durable film-publicity business by going where big campaigns often hesitate: independent movies, unruly genres, and every awkward handoff between festival buzz and opening night.
Jane Owen PR knows the party is a business meeting
A Cannes invitation gets you through a door. Jane Owen PR builds campaigns around what happens next - and its founder learned early that even a casual conversation can become tomorrow’s headline.
Perception PR knows who deserves a close-up
The entertainment publicists work where a good film meets a crowded calendar. Their specialty: helping stories, and the people behind them, get considered.
Wolf | Kasteler and the art of making attention useful
Magazine covers are the visible part. Behind them, Wolf | Kasteler connects artists, films and causes with the audiences that can do something next.
Allied knows a fan is worth more with something to do
From film publicity to racing simulators, Allied turns entertainment into an invitation. Its business depends on what happens after people notice.
H+M Communications knows who brings the crowd
A superhero without its stars. A sequel with Miami in its corner. Inside the PR agency that makes cultural belonging part of the marketing brief.
MPRM knows a film needs more than one opening night
A festival debut, a streaming release, an awards ballot: each asks a different audience to care. MPRM Communications built its entertainment publicity business around those changing invitations.
Platform Media Group puts publicity in the right room
A film premiere, a music documentary, an axe-throwing venue: Platform Media Group works where culture meets commerce. Its pitch is personal attention in Los Angeles, with a network that can take the work elsewhere.