Breaking
Sumaira Mirza wins Bronze at Spikes Asia 2025 with "Message in a Mithai Box" /// Only 2nd Pakistani ever on the Effies Global Best of the Best jury /// Selected for Ogilvy Asia's elite 30 for 30 Leadership Program /// ECD Ogilvy Pakistan: 20+ years shaping Pakistan's advertising landscape /// Cadbury #GetInTheGame campaign supporting Pakistani women's cricket /// "Message in a Mithai Box" ranked 5th in SABRE Awards global top 40 /// Adjunct faculty, columnist, painter, filmmaker - and she still makes the deadlines /// Sumaira Mirza wins Bronze at Spikes Asia 2025 with "Message in a Mithai Box" /// Only 2nd Pakistani ever on the Effies Global Best of the Best jury /// Selected for Ogilvy Asia's elite 30 for 30 Leadership Program /// ECD Ogilvy Pakistan: 20+ years shaping Pakistan's advertising landscape /// Cadbury #GetInTheGame campaign supporting Pakistani women's cricket /// "Message in a Mithai Box" ranked 5th in SABRE Awards global top 40 /// Adjunct faculty, columnist, painter, filmmaker - and she still makes the deadlines ///
Sumaira Mirza, Executive Creative Director at Ogilvy Pakistan

Executive Creative Director / Ogilvy Pakistan

Sumaira
Mirza

She put women's rights inside a box of sweets.
The ad industry finally got the message.

For over two decades, Sumaira Mirza has been the person in the room who asks: what if this brief could actually change something? Not in the vague, hashtag-and-hope way. In the real, legal-counsel-for-abused-women, second-Pakistani-on-the-Effies-global-jury way. She runs creative at Ogilvy Pakistan and makes it look effortless - which, of course, it isn't.

ECD / Ogilvy Spikes Asia Winner Effie Global Jury Aurora Columnist MFA Film

The Creative Who Puts Rights
Inside Sweet Boxes

Most advertising careers move in one direction: up. Sumaira Mirza's moved sideways too - from media planner to creative director, from brief-taker to brief-maker, from Pakistan to Bangkok and back. That zigzag turned out to be a strategic masterstroke she didn't plan at all.

Today she sits at the top of Ogilvy Pakistan's creative department as Executive Creative Director, a post she's earned across more than two decades and half-a-dozen major agency networks. Unilever, P&G, Emirates, Heinz, McDonald's, Pepsi, Yamaha - the logos change; the expectation that she'll do something memorable stays constant.

But it was a box of mithai that made the world pay attention.

In a country where the traditional Pakistani sweet box is one of the most loaded cultural symbols - gifted at weddings, at births, at reconciliations - Sumaira's team at Ogilvy found a way to slip something radical inside. The "Message in a Mithai Box" campaign embedded QR codes and information cards within the sweet boxes sold by Rahat Bakers, pointing women directly to their legal rights under the Nikahnama (Islamic marriage contract) and free legal support from the Centre for Human Rights.

Fifty women accessed legal counsel as a direct result. One was a child bride who had suffered years of abuse. Bronze at Spikes Asia 2025. Fifth in SABRE's global top 40. Winner at the Global Influencer Marketing Awards. Numbers that matter far less than the number fifty.

That campaign is a near-perfect distillation of what Sumaira believes advertising can do at its best: carry meaning inside something ordinary. Use the infrastructure of culture to change culture. Work within the system until the system does something it didn't know it could.

20+ Years in Advertising
50 Women Given Legal Aid
2nd Pakistani on Effies Global Jury
5th SABRE Global Top 40 Rank
"Changing a mindset while keeping cultural and religious sensitivities in mind is not easy. The hashtag has a dual meaning that addresses parents, brothers and other male decision-makers who need to support women to 'get in the game.'"
- Sumaira Mirza, on the Cadbury #GetInTheGame campaign

Three Campaigns. One Point of View.

Social Impact / FMCG
Bronze Spikes 2025

Message in a Mithai Box

Pakistan's traditional sweet gifting ritual - the mithai box - became a Trojan horse for women's legal rights. Working with Rahat Bakers and the Centre for Human Rights, Ogilvy slipped information cards and QR codes inside boxes at key cultural moments. Women who scanned found free legal advice about their Nikahnama rights.

50 women received legal counsel. One was a child bride.

Bronze Spikes Asia 2025 SABRE Global Top 5 Influencer Marketing Award
Women's Sport / FMCG
Cultural

Cadbury #GetInTheGame

When Cadbury Dairy Milk became associate sponsor of Pakistan's women's cricket team, the brief wasn't just to celebrate - it was to shift perception. A TVC showed a father buying a cricket bat for his daughter. Limited-edition packaging featured real Pakistani women cricketers.

The hashtag was deliberately dual-coded: for the women cricketers, and for every male gatekeeper who needed convincing.

Cultural Shift Women's Sport
Social Equity / UN
Landmark

UNICEF: Invisible No More

A landmark collaboration with UNICEF that, in Sumaira's words, "gave an identity to invisible Pakistanis." The campaign used advertising to make visible those the system had chosen not to see - challenging audiences to confront erasure by looking directly at it.

Proof that global mandates and local insight can produce something genuinely moving.

UNICEF Partnership Social Inclusion

Brands She's Shaped Over Two Decades

Unilever P&G Emirates Heinz McDonald's Cadbury Pizza Hut Pepsi Yamaha UNICEF

The Long Game

Most ECDs come from pure creative. Sumaira started in media. That's not an accident - it's everything.

2001
Media Planner - Interflow Communications

Began career not in a copy room but in media buying. Learned how audiences actually consume before learning how to talk to them. A foundation almost no other ECD has.

Early 2000s
Pivot to Creative

Made the unusual jump from media planning to creative departments - carrying strategic discipline into a world that often runs on instinct alone.

Mid 2000s
Creative Director - Manhattan Leo Burnett

Rose through the ranks at Leo Burnett's Pakistan operation, developing her distinctive blend of cultural fluency and strategic storytelling.

Mid career
Senior Roles across WPP and Publicis Networks

Held creative leadership positions at Y&R, BBDO, Saatchi & Saatchi, and the Symmetry Group - accumulating perspective across virtually every major advertising philosophy.

2010s
Joins Ogilvy Pakistan

Brings her cross-network experience to Ogilvy, eventually rising to Executive Creative Director - the top creative seat in the office.

2022
Aurora Magazine - "A Few of My Favourite Things"

Begins regular column in Pakistan's leading advertising trade publication, writing with authority about global campaigns and the craft that still matters.

2024
Effies Global Best of the Best Jury - 2nd Pakistani Ever

Joins the most exclusive creative jury in advertising, becoming only the second Pakistani professional in history to sit on the panel. Selected for Ogilvy's APAC 30 for 30 Leadership Program the same year.

2025
"Message in a Mithai Box" - Bronze Spikes Asia

Campaign wins global recognition. Fifty women receive legal aid. The work lands in SABRE's global top 40 and wins the Global Influencer Marketing Award.

Six Things That Make
Sumaira Mirza, Sumaira Mirza

The Media Planner's Brain

She started career counting impressions and buying airtime. That means when she writes a brief or judges an idea, she already knows where it will live, how audiences will encounter it, and what they'll do after. Rare in a purely creative leader.

The Filmmaker's Eye

Her MFA in Film Production isn't a credential she mentions casually - it's the lens through which she evaluates work. Scene-setting. Pacing. The weight of silence. Advertising with a filmmaker's sensibility hits differently.

The Columnist's Voice

Writing regularly for Aurora Magazine keeps her thinking sharp and public. Her pieces on AI in advertising, on jingle nostalgia, on the campaigns she loves from around the world - they read as a creative director thinking out loud, not performing expertise.

The Painter's Patience

She paints. This isn't incidental. Good advertising and good painting share a problem: saying the most with the least. You learn to tolerate the blank canvas. You learn to stop before you ruin it. Most briefings could benefit from both lessons.

The Educator's Instinct

Adjunct faculty at two Pakistani universities. A masterclass at Broke Ad School. She believes the next generation of Pakistani creatives deserves guidance, not just inspiration. The best leaders always make the room bigger.

The Pragmatic Idealist

Her campaigns don't just ask audiences to feel something - they route feeling into action. Legal hotlines. QR codes. Double-coded hashtags. She works within the system because that's where change actually happens. Vision plus infrastructure, every time.

"Some brands are continuing to tell stories through a craft that is extremely precious."
- Sumaira Mirza, Aurora Magazine, on the craft of long-form storytelling in a short-form world

On AI, Jingles, and Why Craft Still Matters

When Sumaira wrote about AI and advertising in Aurora Magazine in 2023, she wasn't running away from the technology or breathlessly embracing it. She was doing what good creative directors do: sizing it up.

Her argument - made before most of her peers were having the conversation in public - was that AI was now collaborating with human creatives, not merely supporting data teams. Coca-Cola, Nike, Cadbury, Heinz were already running AI-assisted campaigns. The question wasn't whether to use it. It was whether the human doing the directing still had something worth directing.

For Sumaira, that human something is craft. In a 2024 piece titled "The Enduring Magic of the Jingle," she mourned the loss of a specific Pakistani advertising tradition: the jingle that became cultural wallpaper, that people hummed three decades after the brand stopped paying for airtime. She worried, publicly, that modern Pakistani ads had traded that durability for speed. Short-form video over singable hooks. Reach over resonance.

The columns read as a creative director working through the central tension of her career in real time. How do you make work that is immediate enough to compete and durable enough to matter? She doesn't always answer the question. Sometimes she just makes you feel the weight of it.

That reflective habit is perhaps why she was chosen for Ogilvy's APAC 30 for 30 Leadership Program - thirty creative and strategic leaders from across Asia-Pacific, convening in Bangkok to think about where the industry is going next. One of thirty from an entire continent. She doesn't make a big deal of it. That's its own kind of confidence.

Jury Roles

Effies Global Best of the Best

2024 - 2nd Pakistani ever selected

White Square Int'l Festival

2024 / 2025 jury member

Spikes Asia / AdStars / PHNX

Regional jury panels

Dragons of Asia / Effie Pakistan

National and Asian jury roles

Fun Facts

Five Details That Tell
the Whole Story

01

She holds an MFA in Film Production - making her one of the very few advertising creative directors in Pakistan with a formal postgraduate qualification in visual storytelling. Her commercials are structured like short films because she was trained to make short films.

02

She started as a media planner in 2001, not a writer or art director. The pivot to creative is genuinely rare, and it means she evaluates ideas through both an emotional lens and a distribution lens simultaneously. Most creatives only get one.

03

Her Twitter handle is @SumsMirza - concise, punchy, and informal in exactly the way her Aurora Magazine columns are not. The coexistence of those two modes - the formal columnist and the casual tweeter - tells you something about how she moves between rooms.

04

She has taught at two Pakistani universities as an adjunct faculty member, delivered a Creative Ideation Masterclass for Broke Ad School, and still finds time to write, paint, and travel. The calendar must be terrifying. The work suggests she finds it invigorating.

05

Before "Message in a Mithai Box" became a Spikes winner, it was just a question: what if the cultural ritual of sweet-gifting could carry something more important than sugar? Great briefs are usually just good questions asked by the right person at the right moment.