
Before creator revenue became a conference cliché, Jon Baltz was helping independent musicians collect the money hiding inside fan uploads. His 15-year path from college booking rooms to Symphonic is a lesson in making the unglamorous machinery matter.
The tiny company behind the ‘Harlem Shake’ money trail survived an acquisition, an eight-year corporate chapter and a spinout. Fifteen years later, Symphonic bought the rights-management machine - and the lesson is more useful than the meme.
Twenty years after three ex-PayPal employees uploaded a clip from the San Diego Zoo, YouTube pays creators more than any studio and gets watched more than any TV network. Here is how the video site became infrastructure.