media-rights
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The Talent Agency That Turned a Rolodex Into a Global Operating System
WME sells no tickets, streams no shows and prints no books of its own. Its product is leverage - the relationships, market intelligence and dealmaking machinery that turn talent into durable businesses.
The 123-Year-Old Startup That Put a Clock on Baseball
Thirty rival owners, one shared product, and a rulebook that finally admitted the game was too slow. Inside the business behind the batter's-box logo.
The NWSL Is Building the League Women’s Soccer Was Always Told to Wait For
Sixteen clubs, four major media partners and one newly liberated player market have turned the NWSL into a revealing test of what happens when women’s soccer is treated as a durable business, not a charitable cause.
The WNBA's 30-Year Overnight Success
After decades of proving the audience existed, women's professional basketball has entered its infrastructure era. The WNBA is adding cities, screens and revenue-sharing at the same time - and learning how to turn attention into an institution.
Octagon
Octagon works in the control room of modern fandom - negotiating the talent, rights, campaigns, data and live experiences that turn attention into a business.
National Football League (NFL)
The NFL is less a single sports company than a carefully tuned operating system for 32 clubs - one that turns a short season into year-round media, data, merchandise and global fandom.
National Hockey League (NHL)
The NHL sells a scarce live spectacle, then makes it abundant across television, streaming, merchandise, data products and 32 local markets. Its century-old advantage is not merely hockey - it is the system that turns every puck drop into rights, reach and ritual.
Spiegel & Grau
Spiegel & Grau is a New York independent, multi-platform publisher founded by veteran editors Celina 'Cindy' Spiegel and Julie Grau. After Penguin Random House shuttered their acclaimed imprint in 2019, the pair relaunched as an indie house in 2021, deliberately capping their list at 15-20 books a year so each title gets full editorial care across print, audio, podcast, and screen. The house treats a story as an asset to be developed across formats rather than a single book to be printed, and its very first independent release, Catherine Raven's 'Fox and I,' hit the New York Times bestseller list out of the gate.