BREAKING
Max Willens, Principal Analyst at EMARKETER
Principal
Analyst
EMARKETER

YesPress Profile  /  Media & Publishing

Max
Willens

"He reads the internet so you don't have to - then charges money for the analysis."

Analyst Journalist Newsletter Author Brooklyn, NY

Principal Analyst covering social media and the creator economy at EMARKETER. Former Digiday Senior Editor. Author of The Idea newsletter. Oberlin & CUNY grad. Has a lot of opinions about platforms.

"We are in the beginning of a newsletter arms race." - Max Willens, on Twitter's acquisition of Revue, 2021
172+ Research Assets at EMARKETER
6 Years at Digiday
5M+ Social Followers Managed at Abrams Research
15+ Publications with Bylines

The Man Who Turned Media Chaos Into Market Intelligence

Max Willens made a career out of a very simple premise: digital media is a mess, and someone should explain it properly. He spent years doing exactly that as a journalist - first at the International Business Times, covering the economics of music and entertainment, then at Digiday for six formative years, where he rose from platforms reporter to Senior Editor of Research and Features. Then he flipped the model entirely. Instead of writing about the industry for free with a few ads attached, he joined EMARKETER as an analyst - and started writing about it for serious money.

The move made sense, even if it surprised some colleagues. At Digiday, Willens had already moved closer to the analyst role than most reporters ever get. He was overseeing research capabilities, guiding feature coverage with data, and tracking platforms with a systems thinker's precision. By the time he left in early 2022, the line between journalist and analyst had blurred so much that crossing it was just a formality.

"When you talk about digital media in particular, things have gotten really fast. It comes down to having enough time and being prepared to have all the necessary ingredients."

Today, as Principal Analyst at EMARKETER - a promotion he earned in October 2025 - Willens covers three beats that happen to be three of the most volatile corners of the internet: social media, the creator economy, and retail media networks. These are the arenas where platforms rewrite the rules every six months, where a 19-year-old with a ring light can have more commercial pull than a legacy brand, and where the definition of "advertising" keeps shifting in real time.

He has moderated panels at the NRF Big Show with executives from Costco, Best Buy, and Nordstrom. He co-hosts EMARKETER's Behind the Numbers podcast, which dissects advertising, social, and media trends weekly. He has been quoted by The New York Times, the BBC, Bloomberg, Reuters, and the Associated Press. And he is still publishing The Idea, a newsletter focused on the publishing and newsletter industry - which means he is both analysing the arms race and, in his own way, participating in it.

There is something sharp-elbowed and deliberate about the way Willens built his career. He did not stumble into journalism and then stumble into analysis. He studied music and entertainment economics, learned social media strategy by managing accounts with five million combined followers at Abrams Research, and then trained formally at the Craig Newmark Graduate School of Journalism at CUNY, where he won the Chancellor Award and was named a Punch Sulzberger Scholar and McGraw Business Fellow. He came prepared, then kept preparing.

His Twitter/X bio reads: "Music, Sports, Bile." If you have spent more than fifteen minutes on media Twitter, you know the "bile" is not an exaggeration. He is direct, skeptical, and fluent in the language of platforms and their discontents. His Instagram handle is @maxwellmeanswell - a pun that tells you he does not take himself too seriously, even when he is doing serious work. His old Tumblr was called "ohgodnotanother," which is the kind of self-aware humor that plays well in a media landscape full of people who believe they are more important than they are.

From Music Blogs to Market Intelligence

Early Career
Editorial work at Magnet Media Films and The Daily Swarm. Music journalism in Philadelphia. Begins building fluency in the economics of culture.
2013 - 2015
Covers music and entertainment economics at International Business Times (IBT Media). Publishes in WIRED, Billboard, Village Voice, Vice, Ad Age, Newsweek.
Graduates with MA in Journalism from Craig Newmark Graduate School of Journalism at CUNY. Wins Chancellor Award. Named Punch Sulzberger Scholar and McGraw Business Fellow.
2015 - 2016
2015 - 2016
Works at Abrams Research developing social media strategies for high-profile clients. Manages accounts with 5M+ combined followers. Learns the mechanics of audience at scale.
August 2016
Joins Digiday as Platforms Reporter. Hired to cover the platform-publisher relationship as Facebook, Google, and Twitter reshape the media business in real time.
2016 - 2021
Rises from reporter to Senior Reporter to Senior Editor, Research and Features at Digiday. Speaks at Advertising Week New York, CES, Programmatic I/O. Quoted on newsletter arms race (2021).
February 2022
Leaves Digiday for EMARKETER (Insider Intelligence) as Senior Analyst. The pivot from journalism to market research. Covers social media, creator economy, retail media, generative AI.
2023 - 2025
Begins co-hosting EMARKETER's "Behind the Numbers" podcast. Moderates NRF 2025 Big Show panel with executives from Costco, Best Buy, and Nordstrom on retail media.
October 2025
Promoted to Principal Analyst, Social Media and the Creator Economy at EMARKETER. 172+ research assets published. Publishes The Idea newsletter on the publishing industry.
January 2026
Moderates NRF 2026 Big Show panel: "How retail media is navigating its first economic crisis." Continues expanding EMARKETER research coverage across social and creator verticals.

Six Beats. One Very Loud Internet.

📱
Social Media
How platforms gain, lose, and monetize attention. TikTok, Instagram, YouTube, X - and whatever comes next.
🎥
Creator Economy
The business of influence. Who gets paid, how much, and why the economics keep shifting under everyone's feet.
🛒
Retail Media Networks
How Walmart, Amazon, Target, and others turned shopping data into ad inventory. The fastest-growing segment in advertising.
💸
Paid Social Advertising
The dollars behind the posts. Budgets, measurement, attribution, and the eternal question: does any of this actually work?
🤖
Generative AI in Media
What happens when the content machine gets automated. Who wins, who loses, and what happens to the humans in the middle.
🔗
Affiliate Marketing
Commerce content, referral economics, and the quiet revolution happening in the relationship between editorial and revenue.

Where He Has Appeared

Before becoming an analyst, Willens built a byline collection that spans music magazines, tech publications, business press, and cultural journals. A partial list:

WIRED Newsweek Ad Age Digiday Billboard Pro The Village Voice Vice The Onion AV Club Crain's New York Business FACT Magazine Electronic Beats Philadelphia Weekly HOOP Magazine CBSSports.com Hypebot NYT (Football Blog) Paper Magazine EMARKETER

Why the Analyst Move Was Not a Sellout

There is a particular kind of media person who spends their career explaining things and never quite gets to act on what they know. Willens avoided that trap. When he left Digiday in 2022, some colleagues assumed he was escaping. He was actually advancing.

At EMARKETER, he does the same work he did at Digiday - tracking platforms, interrogating data, translating chaos into meaning - but with more tools, deeper data access, and a different audience. Instead of writing for other journalists and the industry at large, he writes for marketers, executives, and investors making decisions in real time. The stakes changed. The craft did not.

His coverage of the creator economy is particularly sharp because he has watched it evolve from the outside in. He remembers when "influencer marketing" was a punchline. He tracked it through the years when brands started spending real money on it, through the phase when platform algorithms started disfavoring it, and now into the era when it is a major line item in every significant media plan. He has seen the whole arc, and he does not get starry-eyed about any of it.

Retail media networks are his other signature beat - and it is a genuinely complex one. These are the ad businesses that Amazon, Walmart, Target, and increasingly every major retailer have built on top of their first-party purchase data. They are growing faster than almost any other segment in advertising, and they are reshaping the relationship between brands, platforms, and publishers in ways that are not yet fully understood. Willens was writing about this before most of the industry had noticed it was happening.

He brings the same instinct to generative AI - not the hype version, not the panic version, but the sober analytical version that asks: which parts of the media and advertising business actually change, and for whom, and by how much? He has been covering AI in advertising since before it was a mainstream obsession, and he writes about it with the same skeptical precision he brings to everything else.

The podcast, Behind the Numbers, is a natural extension of all of this. Co-hosted with Marcus Johnson and other EMARKETER analysts, it covers advertising and media with a weekly cadence and a conversational clarity that the research reports sometimes cannot achieve. It is, in the best sense, Willens doing what he has always done: explaining things in real time, as the industry moves.

"Having enough time and being prepared to have all the necessary ingredients - that's what it comes down to ultimately." - Max Willens on the craft of digital journalism

Things That Actually Tell You Something

🎵

His Twitter/X bio reads: "Music, Sports, Bile." Three words that are both self-deprecating and perfectly accurate. He started in music journalism and never quite left it behind.

😏

His Instagram handle is @maxwellmeanswell. A pun on his own name. It takes a certain kind of self-awareness to brand yourself as someone who is trying their best and might not quite get there.

📓

His old Tumblr was called "ohgodnotanother." This was either about content overload on the early internet or about his own output. Possibly both.

📢

Before journalism school, he managed social accounts with more than five million combined followers at Abrams Research. He learned how audiences work before he started writing for them.

🏆

He won the CUNY Chancellor Award in journalism school, the same program that produced several notable media figures. He is not just good at explaining things - he was formally certified to be good at explaining things.

🎙️

He co-hosts a podcast that dissects the same industry he spent six years covering as a journalist. This is either poetic or circular. Probably both, which is exactly the kind of media observation he would make.