The first useful thing to understand about GLORY Kickboxing is what happens after a fighter wins. In a tournament, victory is an appointment. Another opponent waits. Another place on the bracket needs filling. The audience has just watched a conclusion that also functions as an invitation. For a company selling attention to a sport, that is a rather handy arrangement.
- The product: professional kickboxing, packaged as championship fights and tournaments.
- The customers: fans in seats, viewers at home, broadcasters and sponsors.
- The new shelf: GLORY Unlimited, a paid YouTube archive launched in March 2026.
GLORY organizes the matches, assembles the cards and gets the action onto screens. Its website connects visitors to tickets, viewing options and merchandise. Around that visible machinery sits the less photogenic expertise: matchmaking, production, athlete relationships and distribution. A good punch supplies the moment. An event business must arrange everything around it.
01 / The fighters were the starting point
GLORY’s origin contains a useful reversal. Its own founding account describes unsuccessful negotiations to buy K-1, the established kickboxing brand. The investors then pursued a new organization built around fighters and experienced operators. Pierre Andurand, Marcus Luer and Scott Rudmann became its co-founders. The promotion launched in 2012.
That June, GLORY agreed to acquire assets and take over management of rival It’s Showtime. The announcement emphasized bringing leading fighters under one promotional umbrella. This solved a practical problem for spectators: talent scattered across organizations is harder to compare. A shared competition makes the question of who beats whom easier to put on a poster.
The purchase also brought people who knew how to deliver a show. That detail deserves attention. A roster may attract the customer, but the camera, timetable and venue determine whether the customer receives what was promised. GLORY’s early advantage combined recognizable athletes with the ability to stage their encounters.
02 / Give the result somewhere to go
The company’s specialty is stand-up combat. Its rules define the contest; its tournaments arrange the consequences. K-1 and ONE Championship offer alternative kickboxing viewing, while boxing and MMA compete for the same evening. GLORY’s identity rests on keeping kickboxing itself at the center of the bill.
In January 2025, it announced Last Heavyweight Standing: 32 heavyweights in an opening round, followed by a campaign leading to an eight-man finale. The original announcement targeted a year-end finish. A later announcement placed the finals on February 7, 2026. Even a neatly drawn bracket has to live on a real calendar.
There is a business lesson here for anyone publishing episodes, running competitions or programming events. Give each installment a consequence that survives its ending. The caveat is operational: a tournament needs available athletes and workable dates. Injuries, replacements and rescheduling can complicate the very clarity the format promises.
GLORY made that commitment more explicit in November 2025. Announcing Rico Verhoeven’s title vacancy, it outlined a 2026 structure combining tournaments with individual championship fights across four weight classes, including featherweight collaboration with RISE. An alternative promotion can also be a collaborator when the contest benefits from a wider pool.
03 / The crowd is only one customer
Fans buy admission and viewing access. Broadcasters need programming. Sponsors want attention around recognizable athletes and events. Hospitality customers buy a different evening again: GLORY’s Diamond offering includes a reception, private lounge, dining and front-row seating at selected shows. The same ring supports several purchasing decisions.
Its partnership roster makes the range tangible. Fairtex supplies the official glove relationship; Kraken is listed as cryptocurrency exchange and payments partner. MatchWornShirt brings auctions of fight-worn items and fan experiences. These are specific ways of attaching commercial value to the competition, rather than simply adding another logo to the canvas.
Outside capital arrived too. A September 2016 Series B was led by Yao Capital, with Liberty Global and existing investors participating. The announcement paired investment with international expansion plans. It illustrates why a sports promoter can interest both financial backers and a media distributor: the company produces something a screen needs to carry.

04 / The night the room disappeared
According to GLORY, more than 30,000 fans attended COLLISION 2 in the Netherlands in 2019. Then came the pandemic. A business built partly around gathering people faced an interruption that no matchmaking decision could fix. In July 2020, GLORY announced corporate restructuring and plans to resume live competition.
“I felt like there was unfinished business here due to the pandemic”
Marshall Zelaznik, on returning as CEO, March 2024
Zelaznik had previously led the company from 2018 to 2020. His return supplied continuity; chairman Andurand said the organization had been restructured to become more stable. That is a management statement, rather than a public financial scorecard. It nevertheless identifies the problem the company itself wanted to address.
05 / Let the old fights earn again
On March 11, 2026, GLORY launched GLORY Unlimited. Its announced price was €4.99/$4.99 a month on YouTube, for more than 1,200 fights and 750 hours of content. For a fan following Alex Pereira’s earlier career or revisiting Rico Verhoeven, the archive gives old footage a useful address.

The distinction matters: new events enter the service after their original broadcast, rather than making the membership an all-purpose live pass. Live options depend on location. GLORY’s terms also allow territorial restrictions and changes to the catalog. Someone buying for a particular fight should check availability first.
The next scheduled stop, as of October 16, is GLORY 110 in Antwerp on October 17, headlined by Miguel Trindade against Deniz Demirkapu for the vacant featherweight title. A new result will enter the record. GLORY’s job is to make people care about the next one, then give the last one another audience.
Find your way to the ring
Official website · Where to watch · News · Fight rules
LinkedIn · X · Instagram · Facebook · TikTok
Watch the archive on YouTube ↗
Watch: Michael Boapeah talks GLORY 110 ↗